Picture Post #16: Life Behind the Pile of Petrol Cans

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'Because things don’t appear to be the known thing; they aren’t what they seemed to be neither will they become what they might appear to become.'

Posted by Tessa den Uyl and Martin Cohen

Azad Nanakeli 2011, Arbil, Kurdistan-Iraq

A tailor shop that is situated behind a pile of petrol cans. An image that offers a certain brutality about human life – yet in this harshness, but also lightness, man survives. In such ‘idiosyncratic sympathies’ is hidden our intimacy – and hence, similarity. How violent is it to earn one's daily bread out of sight of the street, and behind a symbol of capitalism and war and power?

Virtue will always raise its flags of dependence upon what it believes. Reducing intimacy to something impersonal in cultural terms, yet personal in providing a subjective state within which is created a distinct worldview. The subtlety between intimacy and brutality can then pass by unnoticed, or be easily exchanged, one with the other.

Yet human beings are blessed with something called imagination. And without imagination, intimacy cannot exist. Strangely, the most common scenes reflect our trouble with imagination. As if the common has very little value in regard. We let comparisons decree our personal preferences – and in so doing, not only do we refuse to imagine ourselves, but we refuse to imagine others. We refuse intimacy with the world.

Imagination evokes thinking, even though most thinking occurs within the already imagined. Imagination reveals a problem as to how we make the world intelligible. In this way, daily life offers us a myriad stream of common, unanticipated images like this, scenes in which a host of uncommon things can be traced.

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How the Body Keeps Human Nature in Check

Posted by Eugene Alper

Philosophers have always treated human nature with suspicion. From Plato's legend of the ring of Gyges to Hobbes, Locke, and Rousseau, the belief has been that human nature is fundamentally bad, and that if people could get away with it, they'd rather steal, rape, rob, and kill.

Because of this, one theory goes, people enter into a social contract. To avoid mutual destruction by their raging selves, they give up some of their freedom in exchange for security. The social contract theory, as one example of political philosophising, sounds reasonable. But is the premise correct? Is human nature really fundamentally bad?

It seems to me that however destructive human nature can be in theory—indeed, if we assume that man has free will, then he is capable of committing anything—in real life, man's own body, its vulnerabilities and frequent needs, forces him to co-operate with others rather than try to destroy them.

In real life, we do not think about this much; rather, we co-operate with others by habit instilled in us from childhood. We are trained to behave decently by our own family. Our parents do not want aggressive and unruly creatures bothering them, so for their own comfort they train us to be nice. And we continue to be so throughout life—and those who are not, as we often find out, may not have had that early socialising experience.

But let us pretend that there was no socialising milieu in one's childhood. Let us pretend that somehow a man did not realise that his mother was his only source of food and comfort, and he did not learn to please her. And let us pretend that it did not occur to him later in life that other people were useful to him too, and somehow he failed to master the skill of ingratiating himself with them in order to obtain what he needed. Let us pretend that, instead, the man was dropped from the sky into the world, not knowing anything at all about how it operated. Even then, it is my argument, he would be forced rather quickly to be nice rather than bellicose.

Dropped into the world, the man would promptly discover that his body needs to be fed every four hours and go to sleep every sixteen. His skin, he would notice, is sensitive to cold, heat, and any contact with sharp, hard, or heavy objects, especially if the contact is made at speed. Even walking barefoot, he would observe, can be painful. He would find that the food his body demands so often is not readily available, and to fight for it with other people and animals a few times a day is painful to the skin. It is also risky to try to steal it, for getting away is difficult with the skin being so sensitive. Every night he would learn how physically complicated it is to find a safe shelter to hide from those he might have angered during the day. With his body getting hurt so easily and tired so quickly, he would calculate that it is more energy-efficient to try to engage others in a peaceful exchange, where he would trade for his food something of value to them: a thing he might have, a service he might perform, even a promise he might fulfill in the future.

Even if he were bigger and stronger than other men around him, he would understand that he could not be big and strong twenty-four hours a day. For some eight hours—a third of each day on this planet—he would be as defenseless as a baby, and need to have someone he could trust next to him. Even the meanest tyrant with the worst human nature could not be mean under these circumstances all the time. The vulnerability of his own body at night and its dependence on non-poisonous food during the day would make him behave decently—at the very least to his closest circle.

This is what the man dropped from the sky would discover: however base and wild he might wish to be, his needy body keeps him in check. And philosophy, as fearful as it is of human nature, should acknowledge that it has an ally. The body is not a millstone to which the wing-flipping free will is oh-so-regrettably shackled, but a sensitive vessel playing a noble role. 'Don't be too cocky,' says the body to the free will trapped inside, 'or we will both get hurt.'

Revisiting Anselm's Ontological Argument

Posted by Thomas Scarborough

On the surface of it, Anselm's ontological argument seems to be absurd: One can think of nothing greater than God, therefore God exists. And yet our fascination with Anselm endures. What is this strange attraction?

Anselm of Canterbury (1033-1109 AD) was a medieval philosopher and theologian, who put forward the celebrated ontological argument for the existence of God. This has been discussed by many of the 'big names' in philosophy, including René Descartes, David Hume, Immanuel Kant, and Georg Wilhelm Friedrich Hegel – and more recently by Charles Hartshorne, Karl Barth, and Alvin Plantinga, among others.

What is remarkable about Anselm's argument is that, while it would seem to have been refuted time and time again – beginning with Gaunilo of Marmoutiers in 1078 – it just keeps on bouncing back.

I propose that we may find an explanation for this abiding fascination with Anselm, if we assume (as was indeed the case) that Anselm did not have access to the postmodern language of epistemology – in particular, to the nonfoundationalism which we know today. What might his argument have looked like if he had?

But first, for the sake of completeness, the core of Anselm's original ontological argument, translated by Scott Moore:

Even the fool is compelled to grant that something greater than which cannot be thought exists in thought, because he understands what he hears, and whatever is understood exists in thought.

And certainly that greater than which cannot be understood cannot exist only in thought, for if it exists only in thought it could also be thought of as existing in reality as well, which is greater.

We shall pass over the detail of previous historical discussion, as this is not of special importance here. What is indeed important is just a single feature of Anselm's argument – namely, the word 'greater'. What does Anselm refer to with this word? A supreme being? A perfect being? A necessary being? What is he thinking is 'greater'?

The philosophy writer Chirag Mehta asks: what is the great-making property? Or more to the point, the linguist Michael Geis notes that adjectives such as 'greater' are normally relativised to some reference class. To put it simply, adjectives typically refer to something definite. But where is Anselm's reference class? It isn't there.

Supposing that we take a leap of intuition. Aristotle used the Greek word ἀξίουν (that which is worthy) to describe axioms. We know, too, that Anselm was well familiar with Aristotle's work. ἀξίουν is derived from the word ἄξιος (worth, or worthy), and it means 'a statement or proposition on which an abstractly defined structure is based'. 

Now let us suppose that Anselm intended to speak of something more worthy than which cannot be thought – in the sense of the ultimate Axiom – the Axiom which lies beneath all axioms: that Axiom which is 'more worthy' than all others. In keeping with this, let us drop Aristotle's word ἀξίουν into Anselm's work, so replacing Anselm's adjective 'greater':

Even the fool is compelled to grant that something more ἀξίουν (axiomatic) than which cannot be thought exists in thought, because he understands what he hears, and whatever is understood exists in thought.

And certainly that more ἀξίουν (axiomatic) than which cannot be understood cannot exist only in thought, for if it exists only in thought it could also be thought of as existing in reality as well, which is more ἀξίουν (axiomatic).

It will be seen that the replacement works. Perhaps therefore Anselm did not intend (seemingly absurdly) that one cannot conceive of anything greater than God. Perhaps he intended that God is the ἀξίουν beneath all axioms. Even if this was not his intention, it would seem to deliver an ontological argument.

With the rising tide of nonfoundationalismtoday, axioms are in trouble. We need foundations, yet we do not find them. The theologian Deane Galbraith notes that the problem today is not merely that our axioms are ungrounded, but that they are now 'grounded arbitrarily'. This implies, too, that we find ourselves in a great personal and social predicament.

There has to be an ἀξίουν, and it has to be an ἀξίουν which is more worthy than all others. How then might God represent that ἀξίουν? This lies beyond the scope of this simple post. Yet if this is what Anselm should have intended – namely, that we are in desperate need of the ultimate Axiom, then his argument may begin to make eminent sense.

Doublethink 24 - Short-term Slavery

 

Free Will: Has Philosophy Been Eclipsed by Neuroscience?

Norton Junction. With acknowledgement to Adrian the Rock

By Keith Tidman

We make decisions before we are consciously aware of making them. These are the findings of the latest neuroscientific research. Has neuroscience therefore eclipsed philosophy? Has it taken the lead? Does philosophy have anything left to say?

In a much-publicised experiment, a neuroscientist placed people into a ‘functional magnetic resonance imaging’ (fMRI) machine. The aim was to observe brain activity as test subjects performed an activity. The neuroscientist instructed the subjects to press a button either with their right hand or their left hand – but to pay close attention to when they took the decision as to which hand to use. The results surprised the worlds of both philosophy and neuroscience. The scanner revealed brain activity—the brain unconsciously deciding to press the button—a remarkable seven seconds before the test subjects consciously opted to press it. That is, the subjects’ brains committed to decisions before the subjects became aware of making them.

Why should this be important? Why does it matter?

We assume that free will is fundamental to our humanity. Assumptions about free will—conscious agency—engage people on pragmatic levels. In fact those assumptions are the keystone for society’s notions of responsibility. Codes of morality and law necessarily rest—rightly or wrongly—on free will’s existence. Institutions, from government bodies to systems of justice to religions, are built on that keystone. In the absence of an alternative model that ensures order in society, such rules-based institutions hold people accountable for their actions. Human conduct is judged, and responses—praise and reward, or condemnation and punishment—are rendered accordingly. Society assumes that a person may be held responsible only if that person is a ‘morally responsible agent’, in conscious, intentional control of behaviour.

The cautious conclusion to the fMRI experiment was that consciousness may play no role in what a person decides. Other neuroscientists concur in this, based on the results of different tests. But are our conclusions too hasty? Are the results ironclad?

In the context of conscious control, what does the fMRI test really tell us about free will? Is free will an illusion, a tricked brain, misled intuition—and even just a convenience for society to function? The question typically appears something like this: “At the moment a person decides, could she willingly and freely have decided otherwise?” And if we do not enjoy unbridled (‘libertarian’) free will, do we at least have contingent free will? If free will is an illusion, is that so for only those choices made hastily and with minimal thought? Or does free will describe all our decisions? Philosophers have grappled with free will for millennia, of course. But the role of neuroscience in this arena is more recent—and arguably indispensable. This dual track of philosophers and neuroscientists makes it necessary to delineate what unique competencies each field brings to free will. But what are they? And do they each have a role?

By and large, both philosophers and neuroscientists today acknowledge the  cause-and-effect nature of brain activity (the physics, chemistry, biology) and decisions—mind-brain dualism long since having been discarded. Yet our considerations do not end here.

Philosophers, for their part, collaborating with psychologists and anthropologists and others, bring a deep understanding of human behavior. This understanding exists in the context of the roles of institutions and culture in society, informing the ways people make decisions, including whether freely or mechanistically. Philosophers also contribute an understanding of the centuries-long history of conceptualising free will and its alternatives, especially how some of the most brilliant minds have described and debated free will and determinism and the concepts’ variants. This process includes placing those historical notions of free will to the litmus test of analytical logic, to assess soundness. All this vitally informs the science—outside the standard domain of scientists—to ensure that the science remains conceptually and historically grounded.

For their part, neuroscientists, collaborating with physicists and biologists, structure hypotheses and bring increasingly sophisticated technologies and rigorous methodologies to understand cognitive brain function. They correlate those functions to the brain as it makes a decision and the person subsequently is aware of the decision. The aim is to explore—tangibly record and measure through technology—what is happening at the unconscious and conscious levels, and to do so involving more complex decision-making. Independent scientists must duplicate test results. For neuroscientists, this unique framing of the free will-versus-determinism puzzle takes into account diverse factors.  These include the neurons and synapses firing in different regions of the brain, perceptions of reality, people’s genetic makeup, the environment influencing genes’ expression (epigenetics), psychological states, and others. How these factors bear on outcomes of science’s take on free will remains to be explored.

Allowing for the distinctly separate competencies of philosophers and neuroscientists, tackling free choice can best be accomplished jointly: defining the problem, examining alternative models, conjuring hypotheses, developing methods, describing initial conditions, teasing out empirical data, interpreting results. Wherein, it seems, lies the best hope of resolving the free-will debate. Philosophy is far from eclipsed.

Nothing: A Hungarian Etymology

'Landing', 2013. Grateful acknowledgement to Sadradeen Ameen

Posted by Király V. István

In its primary – and abstract – appearance, nothing is precisely 'that' 'which' it is not. However, its word is still there in the words of most languages (for we cannot know all). Here we explore its primary meaning in Hungarian.

The Hungarian word for nothing, 'semmi' is a compound of the conjunction 'sem' (nor) and the personal pronoun 'mi' (we). The negative 'sem' expresses 'nor here' (sem itt), 'nor there' (sem ott), 'nor then' (sem akkor), 'nor me' (sem én), 'nor him or her' (sem ő), etc. That is: I or we have searched everywhere, yet I or we have found nothing, nowhere, never.

However much we think about it: the not to which the 'sem' sends is not
the negating 'Not', nor the depriving 'Not' that Heidegger revealed in his analysis of 'das Nichts'. The Not in the 'sem' is a searching Not! It says, in fact, that searching, we have not found. By this, it says that the way we met, faced,
and confronted the Not is actually a search. Thus the 'sem' places the negation in the mode of search, and the search into the mode of Not (that is, negation).

What does all this mean in its essence? Firstly, it means that, although the 'sem' is indeed a kind of search, which 'flows into' the Not, still, as a search, it
always distinguishes itself from the not-s it faces and encounters. For searching is never simply a repeated question, nor the repetition of a question, but a question carried around. Therefore the 'sem' is always about more than the tension between the question and the negative answer given to it. For the negation itself – the Not – is placed into the mode of search! And conversely.

Therefore the 'sem' never negates the searching itself – only places and fixes it in its deficient modes. Those in which it 'does not find' in any direction. This way, the 'sem' charges, emphasizes, and outlines the Not, but also stimulates the search, until the exhaustion of its final emptiness. Therefore the contextually experienced Not – that is, the 'sem' – is actually nothing but an endless deficiency of an emptied, exhausted, yet not suspended search.

This ensures, on the one hand, the stability of the 'sem', which is inclined to
hermetically close up within itself – while on the other hand it also ensures an inner impulse for the search which, emanating from it, continues to push it to its emptiness.

And it is in the horizon of this emanating impulse that the 'sem' merges with the pronoun 'mi', in the Hungarian name for nothing. The 'mi' in Hungarian is at the same time an interrogative pronoun and the first person plural personal pronoun. Whether or not this phonetic identity is a 'coincidence', it conceals important speculative possibilities which should not be overlooked. For the 'Mi' pronoun, with the 'Sem' negative, always says that it is 'we' (Mi) who questioningly search, but find 'nothing' (semmi).

Merged in their common space, the 'sem' and the 'mi' signify that the questioners, in the grip of the plurality of their searching questions, facing the meaning of the 'semmi', only arrived at, and ran into the not, the negation.

In the space of its articulation the Hungarian word of the nothing offers a
deeper and more articulated consideration of what it 'expresses', fixing not only the search and its – deficient – modes, but also the fact that it is always we who search and question, even if we cannot find ourselves in 'that', in the Nothing. That is to say, the Nothing – in one of its meanings – is precisely our strangeness, foreignness, and unusualness, which belongs to our own self – and therefore all our attempts to eliminate it from our existence will always be superfluous.

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Király V. István is an Associate Professor in the Hungarian Department of Philosophy of the Babes-Bolyai University, Cluj, Romania. This post is an extract selected by the Editors, and adjusted for Pi, from his bilingual Hungarian-English Philosophy of The Names of the Nothing.

Have We Normalised Oppression?

Posted by Bohdana Kurylo

There are forms of oppression and domination, wrote Michel Foucault, which become invisible – the new normal. Have we normalised oppression today? Are we even aware of it any more?

In the introductory volume of The History of Sexuality, Foucault drew his readers’ attention to the workings of power on the level of one’s sexuality and desire, as both an example and a metaphor of all power relations. He debunked the idea that sex is the locus of the truest form of the self. In fact, this idea turns out to be an invisible mechanism of control. As Foucault put it, it is ‘a new mode of investment which presents itself no longer in the form of control by repression but that of control by stimulation’. In turn, the ‘stimulation’ cannot do without sex being regulated and monitored, to effectively manage the populace. Still, modern control would not be effective without control being exerted by individuals over themselves, however unknowingly. And the more self-governing our self becomes, the more relevant this becomes.

As such, there is a clear difference between the repressive methods used by the Soviet state to regulate society and the self-discipline of the modern sexually ‘liberated’ generation. The latter has willingly measured and categorised itself through all-encompassing examination and normalisation through beauty standards, nudity and endless discourses on sex. A confessing animal, modern man has made, perhaps, the most intimate part of his self available for mass surveillance. The force of surveillance has significantly increased with the rise of social media, the efficacy of which is not inferior to Jeremy Bentham’s Panopticon: its prisoners are close, yet in isolation from each other; perfectly visible for the watchers, yet unable to see them. In short, the soul is governed by aligning new norms with individual desires and pleasures.

Nevertheless, it is questionable whether such control necessarily has negative implications, as in the case of conventional forms of oppression and domination. It is indeed a hybrid power that does not oppose one’s wishes, but in fact creates them. On the surface of it, Foucault himself seems to take a neutral stance in relation to the new style of governance, rejecting the idea that society can exist without power relations. However, his emphasis on the effects of normalisation on the individual – which ‘attaches him to his own identity, imposes a law of truth on him which he must recognise’ – reveals a negative attitude. It seems that Foucault confronted the issue of modern governance because of his urge to go beyond the existing perceptions of the self. Friedrich Nietzsche’s concept of the ‘will to power’ – an ‘attempt to overcome, to bring to oneself, to incorporate’ – may well explain it. It is precisely this ‘instinct for freedom’ that would lead Foucault’s subject to want to become a master in playing these games of power with the strongest possible protection against the abuse of power.

At this point, the connection between freedom and ethics unfolds. Foucault pronounced the nature of freedom to be ethical in itself: ‘Freedom is the ontological condition of ethics’. Yet, he wondered whether it makes sense to say ‘let’s liberate our sexuality’, for the problem of freedom is much more ethical than the rhetoric about desires and pleasures. Thus, it is important, once again to debunk the myth that sexual liberation – or any liberation – is equal to freedom. Indeed, is liberation only about genitals and not about conscience, dignity and self-reflection? Freedom is impossible without self-reflection and the ‘care of the self’. Hence, as ‘taking care of oneself requires knowing oneself’, freedom from imposed knowledge and control becomes a major argument for resistance against modern power.

A bigger question, however, is whether resistance is possible – and here, Foucault led his readers into the labyrinth of philosophical paradoxes. The problem is that the relationship between the self and power is mutually determining. Paradoxically, as the self has essentially become the locus of power today, humans face the challenge of resisting themselves. As a result, the individual is constituted both through the practices of subjection and liberation. Although a fully autonomous self is impossible, those who dare to follow their instinct for freedom inevitably have to overcome these paradoxes on the path of the never-ending process of self-cultivation. As an option, Foucault proposed shaping individual subjectivity through the force of creativity, virtually transforming everyone’s life into a work of art. Metaphorically, ‘why should the lamp or the house be an art object but not our life?’

The questions remain: Who exercises power? Who makes decisions for me? Foucault referred to the notion of ‘governmentality’ to describe modern political reason. Its main characteristic is societies in which governance follows the principle of ‘enterprise’, in which the self is self-sustainable and self-governing, ensuring higher productivity. This is a world in which discipline and control have been internalised by the individuals themselves.

Sea-Bird’s Lament

Posted by Rorine Tioti *

Pierre-Auguste Renoir. Sunset at Sea 1879.

Over the tree tops, in the branches
Is my home sweet home
Now cut and destroyed
For your Home Sweet Home
I fly over the horizon to the setting sun
To nowhere, to find a new home

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* Rorine Tioti is a citizen of Kiribati.

Picture Post No. 15: Boulevard du Temple

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'Because things don’t appear to be the known thing; they aren’t what they seemed to be neither will they become what they might appear to become.'

Posted by Tessa den Uyl and Martin Cohen

Boulevard du Temple, by Daguerre

This is one of those 'first ever...' photos- so a little history story could be told. But more than that, and unlike most of the early images,  it has quite an aesthetic. And the two stick figures in the foreground add a certain something human too... Are they children playing?

The Frenchified nature of the town is given by those shop awnings and ordered lines of trees - as well as perhaps more obscurely, by the slope of the roofs.

On closer inspection, the figures turn out to be adults, and one is offering his boot via an extended leg to the other, who presumably is a shoe-shine boy. Thus, the image captures in a frozen moment of time, a slightly sourer taste of social inequality.

It is a daguerrotype, an image recorded on a sheet of copper coated with silver and developed by mercury fumes, taken by Louis-Jacques-Mandé Daguerre (after whom the process was named). The exact date of the photo is not known, but it is thought to be either 1838 or 1839.

One contemporary photographer says too that the matchstick figures are the first human beings to be photographed*, adding:

‘Their simple, everyday transaction has made them immortal.’

Following on from the artistic era of Romanticism, photography fitted well the artist's needs to express the real and natural. But above all, this mechanical medium seemed to fit the industrial revolution and the need for man to fix himself into particular roles.

Because, indeed, another quality of the image is that there are only these two figures, locked forever in their unequal relationship. What should have been a bustling boulevard is strangely deserted. This appearance is, however, also illusory: the first daguerrotypes took some minutes (10 to 15) to fix on the plate, and so all that moves is removed... moving objects, like coaches or even pedestrians, would leave little or no trace. They are the ghosts of early photography.

*Others would argue the point, including earlier images by Daguerre himself such as Foyer au Pont-Neuf, but if there are literally other figures to be found, none are as striking and problematic as these two.

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Just fancy that! Hardly any daguerrotypes have survived, but this one was still being lovingly preserved as late as 1974 in a museum. At that point, however, someone decided to ‘clean’ the tatty old silver plated surface, wiping the delicate image away in a moment ...

Poetry: BREXIT and 9/11

The City of London. Although some financiers played  a key role in the
LEAVE campaign, others fear loss of access to lucrative European markets

So Why Does BREXIT* Remind Me of 9/11?

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 A poem by Chengde Chen 

Why does BREXIT remind me of 9/11?
Because the exit is like a suicide attack.
Britain, like a plane hijacked by democracy,
With her island-shaped spirit and body,
Dives into her interdependent neighbour,
Regardless of the fatal consequences of
Isolation, recession, and dismemberment…

If an action of suicide bombing
Is to perish together with the enemy,
Brexit is to do so with friends!
But, world-shaking as it is, this isn’t 9/11 yet.
The “explosion” detonated by the referendum,
is time-consuming, procedural, and reversible.

If Britain regrets the decision, she can re-vote.
Some would cry “respecting democracy”, but
Should we democrats be so “respected”
That we’re not allowed to change our mind –
But must jump off the cliff-edge mistakenly-reached?

A U-turn would, of course, not be glorious, but
Should the UK trade her existence for pride?
Where would the pride stay, anyway?
If we must make the mistake into a full disaster,
Wouldn't democracy look crazier than al-Qaeda?

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* Editorial note. 'BREXIT' is the term used to signify the process of withdrawal from the European Union by the United Kingdom, a long-standing aim of both the extreme left and right in English politics, if rather less so in other parts of the United Kingdom.

Chengde Chen is the author of Five Themes of Today: philosophical poems. Readers can find out more about Chengde and his poems here