25 September 2017

The Earth is Our Prison

A (Semi-scientific) Theory States that We Come from Another Planet and that the Earth Is Our Prison

Reposted from Pi-Alpha


 A subversive and highly imaginative theory developed by the American Professor of Ecology, Ellis Silver, ponders that human beings seem to have too many misfitting characteristics to be truly a native of Planet Earth. As examples, Silver offers that Man has problems with his back and often suffers from pain because our species descended from a planet with less gravity than on Earth. [The conventional explanation is we pay the price of back pain is the evolutionary one about having opted to wander around on two feet.] However, according to Silver, we also face problems when we are exposed to direct sunlight for a relatively short time because we were not designed to come in so close contact with such a sun.

An additional argument offered by the Professor concerns parturition difficulties and especially those resulting from the fact that the size of the head of a newborn child is disproportionately large. We are the only species on the planet with such high rates of complications and mortality during pregnancy and childbirth, emphasises the scientist. Finally, he notes the fact that humans seem poorly equipped to deal with the natural environment, for example, such basic things as cold or heat.

The theory also considers the paradox that human shows strong dislike for many types of foods that nature provides. Silver says that humans often become ill because, amongst other things, our biological clock is tailored for a day of 25 hours, not the solar day we live under! Silver says that this has been confirmed by certain studies.

So, his conclusion is that, anatomically, modern human is a hybrid resulting from the crossing of the Neanderthals with another kind of humans who came to Earth from 60,000 to 200,000 years ago from a planet in Alpha Centauri, the closest star system to us.

Silver's explanation for our arrival on Earth is that the aliens we once lived with could not stand our indiscipline and aggression and sent us here as a punishment, i.e. we were ‘imprisoned’ here to become… human, and that one day (who knows?) maybe we will be allowed to return to our real celestial home…

The theory is bizarre and requires the suspension of many normal scientific assumptions and principles, but ecologically it has one thing in favour of it: why otherwise would nature have created a species quite as destructive to the rest of the natural world as Man?

17 September 2017

Poetry: A Nation in Mourning?

Posted by Chengde Chen *

‘Britain, don’t you want another Diana?’

In Mourning for Future Dianas
Written some years back, but strangely prescient ...

Britain has not only become ugly
Since losing its beauty
But has also become crazy,
Kindling its love for the Princess
To burn the media that created her!
The sword of privacy law legislation
Is being sharpened with the mourning ...
If it does kill the birds of intrusion
Who else will be victimised by the slaying?

Wasn’t it those countless stories and pictures,
Digested with English breakfasts and dinners,
That constructed a ‘Queen’ in people’s hearts
– A ‘close friend’ felt by many many strangers
Who decorated Kensington Palace
With millions of flowers?
Oh, the millions of flowers ...
Are they criminal evidence against the media
Or public awards for its unprecedented success?

Enjoying the honey but condemning the bee
Adoring the river but detesting the rain

This nation is also ‘three times over the limit’
On this side of the Channel
Killing future Dianas to mourn the lost one!

Britain, don’t you want another Diana?
A great mourning may be timeless
But the tears for mourning the past
Won’t dry into logic for mourning the future!


* Chengde Chen is the author of Five Themes of Today, Open Gate Press, London. chengde@sipgroup.com

10 September 2017

Chaos Theory: And Why It Matters

Posted by Keith Tidman

Computer-generated image demonstrating that the behaviour of dynamical systems is highly sensitive to initial conditions

Future events in a complex, dynamical, nonlinear system are determined by their initial conditions. In such cases, the dependence of events on initial conditions is highly sensitive. That exquisite sensitivity is capable of resulting in dramatically large differences in future outcomes and behaviours, depending on the actual initial conditions and their trajectory over time — how follow-on events nonlinearly cascade and unpredictably branch out along potentially myriad paths. The idea is at the heart of so-called ‘Chaos Theory’.

The effect may show up in a wide range of disciplines, including the natural, environmental, social, medical, and computer sciences (including artificial intelligence), mathematics and modeling, engineering — and philosophy — among others. The implication of sensitivity to initial conditions is that eventual, longer-term outcomes or events are largely unpredictable; however, that is not to say they are random — there’s an important difference. Chaos is not randomness; nor is it disorder*. There is no contradiction or inconsistency between chaos and determinism. Rather, there remains a cause-and-effect — that is, deterministic — relationship between those initial conditions and later events, even after the widening passage of time during which large nonlinear instabilities and disturbances expand exponentially. Effect becomes cause, cause becomes effect, which becomes cause . . . ad infinitum. As Chrysippus, a third-century BC Stoic philosopher, presciently remarked:
‘Everything that happens is followed by something else which depends on it by causal necessity. Likewise, everything that happens is preceded by something with which it is causally connected’.
Accordingly, the dynamical, nonlinear system’s future behaviour is completely determined by its initial conditions, even though the paths of the relationship — which quickly get massively complex via factors such as divergence, repetition, and feedback — may not be traceable. A corollary is that not just the future is unpredictable, but the past — history — also defies complete understanding and reconstruction, given the mind-boggling branching of events occurring over decades, centuries, and millennia. Our lives routinely demonstrate these principles: the long-term effects of initial conditions on complex, dynamical social, economic, ecologic, and pedagogic systems, to cite just a few examples, are likewise subject to chaos and unpredictability.

Chaos theory thus describes the behaviour of systems that are impossible to predict or control. These processes and phenomena have been described by the unique qualities of fractal patterns like the one above — graphically demonstrated, for example, by nerve pathways, sea shells, ferns, crystals, trees, stalagmites, rivers, snow flakes, canyons, lightning, peacocks, clouds, shorelines, and myriad other natural things. Fractal patterns, through their branching and recursive shape (repeated over and over), offer us a graphical, geometric image of chaos. They capture the infinite complexity of not just nature but of complex, nonlinear systems in general — including manmade ones, such as expanding cities and traffic patterns. Even tiny errors in measuring the state of a complex system get mega-amplified, making prediction unreliable, even impossible, in the longer term. In the words of the 20th-century physicist Richard Feynman:
‘Trying to understand the way nature works involves . . . beautiful tightropes of logic on which one has to walk in order not to make a mistake in predicting what will happen’.
The exquisite sensitivity to initial conditions is metaphorically described as the ‘butterfly effect’. The term was made famous by the mathematician and meteorologist Edward Lorenz in a 1972 paper in which he questioned whether the flapping of a butterfly’s wings in Brazil — an ostensibly miniscule change in initial conditions in space-time — might trigger a tornado in Texas — a massive consequential result stemming from the complexly intervening (unpredictable) sequence of events. As Aristotle foreshadowed, ‘The least initial deviation . . . is multiplied later a thousandfold’.

Lorenz’s work that accidentally led to this understanding and demonstration of chaos theory dated back to the preceding decade. In 1961 (in an era of limited computer power) he was performing a study of weather prediction, employing a computer model for his simulations. In wanting to run his simulation again, he rounded the variables from six to three digits, assuming that such an ever-so-tiny change couldn’t matter to the results — a commonsense expectation at the time. However, to the astonishment of Lorenz, the computer model resulted in weather predictions that radically differed from the first run — all the more so the longer the model ran using the slightly truncated initial conditions. This serendipitous event, though initially garnering little attention among Lorenz's academic peers, eventually ended up setting the stage for chaos theory.

Lorenz’s contributions came to qualify the classical laws of Nature represented by Isaac Newton, whose Mathematical Principles of Natural Philosophy three hundred-plus years earlier famously laid out a well-ordered, mechanical system — epically reducing the universe to ‘clockwork’ precision and predictability. It provided us, and still does, with a sufficiently workable approximation of the world we live in.

No allowance, in the preceding descriptions, for indeterminacy and unpredictability. That said, an important exception to determinism would require venturing beyond the macroscopic systems of the classical world into the microscopic systems of the quantum mechanical world — where indeterminism (probability) prevails. Today, some people construe the classical string of causes and effects and clockwork-like precision as perhaps pointing to an original cause in the form of some ultimate designer of the universe, or more simply a god — predetermining how the universe’s history is to unfold.

It is not the case, as has been thought too ambitiously by some, that all that humankind needs to do is get cleverer at acquiring deeper understanding, and dismiss any notion of limitations, in order to render everything predictable. Conforming to this reasoning, the 18th century Dutch thinker, Baruch Spinoza, asserted,
‘Nothing in Nature is random. . . . A thing appears random only through the incompleteness of our knowledge’.


*Another example of chaos is brain activity, where a thought and the originating firing of neurons — among the staggering ninety billion neurons, one hundred trillion synapses, and unimaginable alternative pathways — results in the unpredictable, near-infinite sequence of electromechanical transmissions. Such exquisite goings-on may well have implications for consciousness and free will. Since consciousness is the root of self-identity — our own identity, and that of others — it matters that consciousness is simultaneously the product of, and subject to, the nonlinear complexity and unpredictability associated with chaos. The connections are embedded in realism. The saving grace is that cause-and-effect and determinism are, however, still in play in all possible permutations of how individual consciousness and the universe subtly connect.

03 September 2017

Picture Post #28 Messages Concealed in Jarring Details









'Because things don’t appear to be the known thing; they aren’t what they seemed to be neither will they become what they might appear to become.'



Posted by Tessa den Uyl and Martin Cohen

        Kung, Bamenda area, republic of Cameroon. 
    Picture credit 2015, Pierpaolo di Carlo

Looking back to the picture, nothing appears strange indeed. Perhaps, more often, we have seen pictures of people carrying loads of fruit, bread or books on their heads. A wallet seems so light and small that maybe this lightness is somehow surprising.

“No! The woman does not pose for the camera. Nothing extraordinary,” a linguist and anthropologist replies. “Common practice. Here, everybody carries things on their head. And, by the way, that is not a booklet - but a wallet.”

As with everything, we can pause and take some time for something. Imagine we would walk around with our wallet on our head. Could that happen?

Observing the picture, we might perceive a contrast between the modern, urban icon of the portfolio, and the rural, timeless idea of an African woman standing in front of her habitat. Why? When did we stop carrying things on our head? This picture seems to shape questions of comparison.

Does this picture tell more about us, than about her?

As with many otherwise trivial occurrences, something very ordinary conceals a door to a closet, and when we open that door we find a chaos of things that, before, we tended not to imagine. Nothing is strange, though there is no such strangeness as to believe that.



A practical note on the picture:


Kung is a small village of about 600 people, perched on a steep hill in the Lower Fungom region, northwest Cameroon. Like any other village in the area, Kung has its own chief and its own language - a true language that should not be confused with a dialect. The language has no written form, and is endangered, although one of the community's central motivations is to safeguard its speech, so that the population can continue to communicate with their ancestors who have passed away.