27 March 2022

Toute Médaille a Son Revers

by Allister John Marran

The way we form our ideas, and with that, take our place in the human family, is through critical debate—which is, to consider arguments both for and against our own point of view. 

The French have a saying, ‘Toute médaille a son revers.’ Every medal has its reverse. Yet all too often, the reverse side is blank. Like the medal, there are many intellectual and educational pursuits in life which, in fact, merely give us the illusion of critical debate.

It is not a form of critical debate to watch a YouTube content creator or network news show host talk about a topic, be it political or social or philosophical. It's a style of performative art which plays to a predefined audience to increase viewership or likes. Counter-intuitively, even university classes have served such purpose.

In the vacuum of a sterile single point studio there is no counter point, there is no objectivity. It's simply designed to tell an audience that already believes something that they are right. It serves as an echo chamber to bolster one’s preconceptions.

If one relies on this alone to form a holistic world view, to inform one’s opinions and to guide one’s sensibilities, one will be left far short as a person. One wouldn’t think of walking into a bank expecting to be told about the strengths of another bank. One wouldn't attend a Catholic Church wanting to find out about the teachings of the Buddha.

We are never sold the product we need. We are sold the product that the seller has in stock, or else they lose the sale. It is Business 101.

Why then do people tune in to biased news networks or YouTube shows, even enroll for classes, expecting to get factual and unbiased information? In reality, information itself has no bias. It's the slant of the deliverer, or the recipient, who through accent or omission or misrepresentation allows it to carry a biased weight and a crooked message.

20 March 2022

Would You Plug Into Nozick’s ‘Experience Machine’?

Clockwork Eyes by Michael Ryan

By Keith Tidman

 

Life may have emotionally whipsawed you. Maybe to the extent that you begin to imagine how life’s experiences might somehow be ‘better’. And then you hear about a machine that ensures you experience only pleasure, and no pain. What not to like!


It was the American philosopher Robert Nozick who,  in 1974, hypothesised a way to fill in the blanks of our imaginings of a happier, more fulfilled life by creating his classic Experience Machine thought experiment.

 

According to this, we can choose to be hooked up to such a machine that ensures we experience only pleasure, and eliminates pain. Over the intervening years, Nozick offered different versions of the scenario, as did other writers, but here’s one that will serve our purposes:

 

‘Imagine a machine that could give you any experience (or sequence of experiences) you might desire. When connected to this experience machine [floating in a tank, with electrodes attached to your brain], you can have the experience of writing a great poem or bringing about world peace or loving someone and being loved in return. You can experience the felt pleasures of these things. . . . While in the tank you won’t know that you’re there; you’ll think it’s all actually happening’.

 

At which point, Nozick went on to ask the key question. If given such a choice, would you plug into the machine for the rest of your life?

 

Maybe if we assume that our view of the greatest intrinsic good is a state of general wellbeing, referred to as welfarism, then on utilitarian grounds it might make sense to plug into the machine. But this theory might itself be a naïve, incomplete summary of what we value — what deeply matters to us in living out our lives — and the totality of the upside and downside consequences of our desires, choices, and actions.

 

Our pursuit of wellbeing notwithstanding, Nozick expects most of us would rebuff his invitation and by extension rebuff ethical hedonism, with its origins reaching back millennia. Our opting instead to live a life ‘in contact with reality’, as Nozick put it. That is, to take part of experiences authentically of the world — reflecting a reality of greater consequence than a manufactured illusion. A choice that originates, at least in part, from a bias toward the status quo. This so-called status quo bias leads some people  if told to imagine their lives to date having been produced by an ‘experience machine’  to choose not to detach from the machine.

 

However, researchers have found many people are reluctant to plug into the machine. This seems to be due to several factors. Factors beyond individuals finding the thought of plugging in too scary, icky, or alien’, as philosopher Ben Bramble interestingly characterised the prospect. And beyond such prosaic grounds as apprehension of something askew happening. For example, either the complex technology could malfunction, or the technicians overseeing the process might be sloppy one day, or there might be malign human intrusion (along the lines of the ‘fundamentalist zealots’ that Bramble invented) — any of which might cause a person’s experience in the machine to go terribly awry.

 

A philosophical reason to refuse being plugged in is that we prefer to do things, not just experience things, the former bringing deeper meaning to life than simply figuring out how to maximise pleasure and minimise pain. So, for example, its more rewarding to objectively (actually) write great plays, visit a foreign land, win chess championships, make new friends, compose orchestral music, terraform Mars, love one’s children, have a conversation with Plato, or invent new thought experiments than only subjectively think we did. An intuitive preference we have for tangible achievements and experiences over machine-made, simulated sensations.

 

Another factor in choosing not to plug into the machine may be that we’re apprehensive about the resulting loss of autonomy and free will in sorting choices, making decisions, taking action, and being accountable for consequences. People don’t want to be deprived of the perceived dignity that comes from self-regulation and intentional behaviour. That is, we wouldn’t want to defer to the Experience Machine to make determinations about life on our behalf, such as how to excel at or enjoy activities, without giving us the opportunity to intervene, to veto, to remold as we see fit. An autonomy or agency we prefer, even if all that might cause far more aggrievement than the supposed bliss provided by Nozick’s thought experiment.

 

Further in that vein, sensations are often understood, appreciated, and made real by their opposites. That is to say, in order for us to feel pleasure, arguably we must also experience its contrast: some manner of disappointment, obstacles, sorrow, and pain. So, to feel the pride of hearing our original orchestral composition played to an audience’s adulation, our journey getting there might have been dotted by occasional stumbles, even occasionally critical reviews. Besides, it’s conceivable that a menu only of successes and pleasure might grow tedious, and less and less satisfying with time, in face of its interminable predictability.

 

Human connections deeply matter, too, of course, all part of a life that conforms with Nozick’s notion of maintaining ‘contact with reality’. Yes, as long as we’re plugged in we’d be unaware of the inauthenticity of relationships with the family members and friends simulated by the machine. But the nontrivial fact is that family and friends in the real world — outside the machine — would remain unreachable.

 

Because we’d be blithely unaware of the sadness of not being reachable by family and friends for as long as we’re hooked up to the electrodes, we would have no reason to be concerned once embedded in the experience machine. Yet real family and friends, in the outside world, whom we care about may indeed grieve. The anticipation of such grief by loved ones in the real world may well lead most of us to reject lowering ourselves into the machine for a life of counterfeit relationships.

 

In light of these sundry factors, especially the loss of relationships outside of the device, Nozick concludes that the pursuit of hedonic pleasure in the form of simulations — the constructs of the mind that the Experience Machine would provide in place of objective reality – makes plugging into the machine a lot less attractive. Indeed, he says, it begins to look more like ‘a kind of suicide’.

 

14 March 2022

A Scientific Method of Holism

by Thomas O. Scarborough

Holistic thinking is much to be desired. It makes us more rounded, more balanced, and more skilled in every sphere, whether practical, structural, moral, intellectual, physical, emotional, or spiritual.

Yet how may we attain it?

Is holism something that we may merely hope for, merely aspire to, as we make our own best way forward—or is there a scientific method of pursuing it? Happily, yes, there is a scientific method of holism, although it is little known.

The video clip above, of 11 March 2022, gives us a classic example of the method—or rather, of one of its aspects. Here, CNN interviewer Alex Marquardt asks (so called) oligarch Mikhail Khodorkovsky, ‘Do they have any influence, these oligarchs ... any pressure, any sway, that they can put on President Putin?’

Khodorkovsky replies, ‘They cannot influence him. However, he can use them as a tool of influence, to influence the West.’

Notice, firstly, that the interviewer’s question is limited to the possibility of oligarchs influencing President Putin. It does not appear to cross his mind that influence could have another direction.

Khodorkovsky therefore brings a directional opposite into play, to reveal something that the interviewer does not see. In this way, he greatly expands our undertstanding of the situation. Khodorkovsky could have measured his answer to the question—'Do they have any influence ... on President Putin?’—but he did not. Instantly, he thought more holistically.

In linguistics, a directional opposite is one of several types of opposite—sometimes called oppositions. Directional opposites represent opposite directions on an axis: I influence you, you influence me; this goes up, that goes down, and so on. 

Two more familiar types of opposite are the antonym, which represents opposite extremes on a scale: that house is big, this house is small; we could seek war, we could seek peace. Then, there are heteronyms,* which represent alternatives within a given domain: Monday comes before Tuesday, which comes before Wednesday; we could travel by car, by boat, or by plane.

How then may we apply these types of opposite? 

In any given situation, we may examine the words which we use to describe it. Then we may search for their directional opposites, antonyms, heteronyms**—to consider how these may complement or expand the thoughts which we have thought so far.

As observed in the video clip above, this is not merely ‘semantics’. It genuinely opens up other possibilities to our thinking, and leads us into a greater holism. This applies in a multitude of fields, whether, for example, researching a subject, crafting an object, pursuing a goal, or solving a personal dilemma.



* Heteronyms may be variously defined. The linguist Sebastian Löbner defines them as 'members of a set'. This is how I define them here.
** One may add, in particular, complementaries and converses.

07 March 2022

Picture Post #72 Steerage



'Because things don’t appear to be the known thing; they aren’t what they seemed to be
neither will they become what they might appear to become.'


Posted by Martin Cohen

Stieglitz: steerage
The Steerage | Photogravure 1907

‘I stood spellbound for a while. I saw shapes related to one another—a picture of shapes, and underlying it, a new vision that held me’.

So wrote Alfred Stieglitz, 24 years after he had taken the photograph – counted as one of the conic moments in both photography and the 20th century. He was not a neutral observer, he was also part of the scene, as he had wandered down from the first-class deck to ‘survey the jumbled scene’ of passengers in the steerage, or economy class, section, which contrasted sharply with ‘the mob called the rich’ that he had left behind. 

He also described what appealed to him aesthetically in the scene:
‘The scene fascinated me: A round straw hat; the funnel leaning left, the stairway leaning right; the white drawbridge, its railings made of chain; white suspenders crossed on the back of a man below; circular iron machinery; a mast that cut into the sky, completing a triangle. I stood spellbound for a while. I saw shapes related to one another -- a picture of shapes, and underlying it, a new vision that held me...’

One of the most influential photographers of the 20th Century, Stieglitz argued that photography should be taken as seriously as an art form. His work helped to change the way many viewed photography while his galleries in New York featured many of the best photographers of the day.

This image, simply called ‘The Steerage’, not only encapsulates what he called ‘straight’ photography – offering a truthful take on the world – but also tries to give us a more complex understanding by conveying abstraction through shapes and their relationships to one another.