26 September 2021

The Recounting of History: Getting From Then to Now



Double Herm of Thucydides and Herodotus

Thucydides was a historian of the wars between Athens and Sparta, in which he championed the Athenian general Perikles. Herodotus travelled and wrote widely and tried to be more impartial.



Posted by Keith Tidman

 

Are historians obliged to be unwaveringly objective in their telling of the past? After all, as Hegel asserted: ‘People and government never have learned anything from history or acted on principles deduced from it’.

 

History seems to be something more than just stirring fable, yet less than incontestable reality. Do historians’ accounts live up to the tall order of accurately informing and properly influencing the present and future? Certainly, history is not exempt from human frailty. And we do seem ‘condemned’ to repeat some version of even half-remembered history, such as stumbling repeatedly into unsustainable, unwinnable wars.

 

In broad terms, history has an ambitious task: to recount all of human activity  ideological, political, institutional, social, cultural, philosophical, judicial, intellectual, religious, economic, military, scientific, technological and familial. Cicero, who honoured Herodotus with the title the father of history’, seems to have had such a lofty role in mind for the discipline when he pondered: ‘What is the worth of human life, unless it is woven into the life of our ancestors by the records of history?’ The vast scope of that task implies both great challenges and vulnerabilities.

 

History provides the landscape of past events, situations, changes, people, decisions, and actions. Both the big picture and the subtler details of the historical record spur deliberation, and help render what we hope are wise choices about societys current and future direction. How wise such choices are — and the extent to which they are soundly based on, or at at least influenced by, how historians parse and interpret the past  reflects how ‘wise’ the historians are in fulfilment of the task. At its best, the recounting of history tracks the ebb and flow of changes in transparent ways, taking into account context for those moments in time. A pitfall to avoid, however, is tilting conclusions by superimposing on the past the knowledge and beliefs we hold today.

 

To these ends, historians and consumers of history strive to measure the evidence, complexities, inconsistencies, conflicts, and selective interpretations of past events. The challenge of chronicling and interpretation is made harder by the many alternative paths along which events might have unfolded, riven by changes in direction. There is no single linear progression or trajectory to history, extending expediently from the past to the present; twists and turn abound. The resulting tenuousness of causes and effects, and the fact that accounts of history and human affairs might not always align with one another, influence what we believe and how we behave generations later. 

 

The fact is, historical interpretations pile up, one upon another, as time passes. These coagulating layers can only make the picture of the past murkier. To recognise and skilfully scrape away the buildup of past interpretations, whether biased or context-bound or a result of history’s confounding ebb and flow, becomes a monumental undertaking. Indeed, it may never fully happen, as the task of cleaning up history is less alluring feature than capturing and recounting history.


Up to a point, it aids accuracy that historians may turn to primary, or original, sources of past happenings. These sources may be judged on their own merits: to assess evidence and widely differing interpretations, assess credibility and ferret out personal agendas, and assess the relative importance of observations to the true fabric of history. Artifacts, icons, and monuments tell a story, too, filling in the gaps of written and oral accounts. Such histories are intended to endure, leading us to insights into how the rhythms of social, reformist, and cultural forces brought society to where it is today.


And yet, contemporaneous chroniclers of events also fall victim to errors of commission and omission. It’s hard for history to be unimpeachably neutral in re-creating themes in human endeavour, like the victories and letdowns of ideological movements, leaders, governments, economic systems, religions, and cultures, as well as of course the imposing, disruptive succession of wars and revolutions. In the worst of instances, historians are the voice of powerful elites seeking to champion their own interests. 

 

When the past is presented to us, many questions remain. Whose voice is allowed to be loudest in the recounting and interpretation? Is it that of the conquerors, elites, powerful, holders of wealth, well-represented, wielders of authority, patrons? And is the softest or silenced voice only that of the conquered, weak, disregarded, disenfranchised, including marginalised groups based on race or gender? To get beyond fable, where is human agency truly allowed to flourish unfettered?

 

Therein lies the historian’s moral test. A history that is only partial and selective risks cementing in the privileges of the elite and the disadvantages of the silenced. ‘Revisionism’ in the best sense of the word is a noble task, aimed at putting flawed historical storytelling right, so that society can indeed then ‘act on the principles deduced from it’.



19 September 2021

The Cow in the Field and the Riddle of What Do We REALLY Know?


P
i looks at a wide range of things that go well beyond the scope of academic philosophy, but that shouldn't mean that we can't occasionally return to the narrow path. Talking with existentialists at a new website (that I would recommend to everyone) called Moti-Tribe,  brought me back to thinking about one of my favorite philosophical problems,

This is the story of ‘The Cow in the Field’ that I came up with many years ago at a time when the academic (boring) philosophers were obsessed with someone who had some coins in his pocket but weren’t sure exactly what they were, and calling it grandly, the ‘Gettier Problem’.

You’d have been forgiven for being put right off the issue by how the academics approached it, but indeed, the riddle is very old, can be tracked back certainly to Plato and is indeed rooted even further back in Eastern philosophy where the assumption that we don’t know things is a part of mysticism and monkishness that we don't really understand anything about.

It’s a kind of koan, which as I understand them, the point of which is to startle you out of your everyday assumptions and oblige you to think more intuitively. The conventional account is that they are a tool of Zen Buddhism used to demonstrate *the inadequacy of logical reasoning* - and open the way to enlightenment.

Well, once you explore the origins of Western philosophy, and the ideas of people like Pythagoras, Heraclitus, Socrates and Plato, you soon find out that there is a lot of riddling actually going on. And the reason why is exactly the same: in order to demonstrate this inadequacy of logical reasoning and provoke enlightenment.

Slightly bizarrely, conventional books and courses on philosophy seek to reinvent ancient philosophy to make it all about ‘the discovery’ of logic! But Western philosophy and Eastern mysticism are two sides of the same coin, we can learn from both.

So on to the puzzle!

THE COW IN THE FIELD


Imagine a farmer who has rather fine cow called Daisy. He is so proud of his cow that he often checks up on her. In fact, he is so concerned that one day, when he asks his dairyman how Daisy is doing, and the Dairyman tells him that Daisy is in the field happily grazing, the farmer decides that he needs to know for certain.

He doesn’t want to just have a 99% idea that Daisy is safe, he wants to be able to say 100% that he knows Daisy is okay.

The farmer goes out to the field and, standing by the gate, sees in the distance, behind some trees, a white-and-black shape that he recognises as his favourite cow. He goes back to the dairy and tells his friend the dairyman that he knows Daisy is in the field. 



Okay, so what’s the ‘problem’? Simply whether, at this point, does our farmer really ‘know’ it - or does he merely think that he knows?

Pause for a moment and ask yourself what your intuition is. Because we have to allow that the farmer not only thinks that he knows, he has evidence - the evidence of his eyes we might say - for his belief too.

Anyway, you maybe still think that there’s some doubt about him really knowing, but then we add a new twist. Responding to  the farmer’s worries, the dairyman decides that he will go and check on Daisy, and goes out to the field. And there he does indeed find Daisy, having a nap in a hollow, behind a bush, well out of sight of the gate. He also spots a large piece of black-and-white paper that has got caught in a tree. Point is, yes, Daisy WAS in the field, but the farmer could not have seen her, only the piece of paper.

So the philosophical debate is, when the farmer returned from the field after (as he thought) checking up on his cow, did he really KNOW she was in it?

Because now you see, it seems that Farmer Field has satisfied the three conventional requirements for ‘knowledge’.

• He believes something,

• he has a relevant reason for his belief,

• and in fact his belief is correct...

Philosophers say that he had a ‘justified true belief’. And yet we would not want to say that he really did know what he thought he knew. In this case, that his cow was in the field...

It's a simple story, okay, silly if you like, but entirely possible. And what the possibility shows is that the three conventional requirements for knowledge are simply not enough to give certainty. What THAT implies, is that we know nothing!

Which is back to the Eastern philosophies, which put so much more emphasis on what we don't know - and seek exotic ways to compensate.

12 September 2021

The Play of Old and New

by Andrew Porter
In trying to figure out what's valuable in the old and the new, what should we keep or discard? Should change be invited or checked?
We know there is a relationship between the old and the new. It's both complex and fascinating. What is established may stay in place, or it may be replaced and perish.

If we want to help change society, or government, or ourselves for the better, how much of the old should we keep, and how much discard? Is modest reform in order, or a revolution? Should the depletion of, say, rain forests be allowed or prevented?

Aristotle delineated 'potential' as material, and 'actual' as form. We gather, therefore, that what exists is often on its way to completion, whereas the goal is the actual. This contrasts with the view that what exists is the 'actual', while future possibilities are 'potential'. Added to this is the fact that the old was once new, and the new will become old.

It might help us clarify the relationship if we can articulate the flow of old to new in real time.

Should we see it as a flow, or as a fixed contrast? What does a dynamic tension mean in this case? Is the new a rejection of the ossification of the old, or is it in harmony with it? How do old and new relate to the metaphysical principles of Order and Freedom? Are the old and the new in a dance with each other, the new emerging from the potentiality which already exists? Does novelty merely help advance and develop what has been?

Something that goes on throughout nature may sort much of this out. We regenerate skin and bone and muscle tissue, while certain sets of brain cells endure past these changes. It is all us. We are old and new.

Take a reformer, in politics or elsewhere, who wants to enact significant change. They have to deal both with the old and with the new. Existing patterns to overcome, new ideas to consider and implement. How will society change? How much hold ought it to have? The old is a mixed bag. How justified is the new? Potential beckons, but is it in that which exists, or in the ends at which a process aims?

Old and new act as permeable membranes to each other, each in flux in relation to the other. Novelty is in the potential of current things. A reformer usually tries to jettison a large chunk of the old, but, like their own body, must keep a substantial part of it. Imagine if both current existents and new emergences followed a reason. Would it be different in nature than in human life?

I'll skip away now with the questions. I blithely leave the answers to you.


Photo credit GharPedia

05 September 2021

Picture Post #67 Unperturbed

by Nada Spencer *

Sculpture by Nada Spencer, 2020.

It was the first of three COVID-19 lockdowns which moved me to create this sculptural piece. 

The ropes bind tightly around the figure, thereby symbolising the anxiety we feel while facing a worldwide pandemic. Not only do the ropes wrap tightly around the torso, but they have become part of the figure, punching deeply through the skin. These ropes are the same colour as the skin, which further blurs the lines of external struggles and internal personal identity. 

The face, however, is thoughtful and calm, and not in anguish, as we might expect. This signals that, despite the pressures and struggles of life, we can retain hope and persevere. ‘Sometimes even to live is an act of courage,’ wrote Seneca, but ‘he who is brave is free.’



* Nada Spencer is a ceramicist in Cape Town.